Malcolm Le Grice Movies

A film made with found newsreel footage combined with sequences of a flashing light bulb. It is projected with a real flashing bulb hanging in front...

Four simple changing colour loops are projected continuously into the corners of a gallery space - a form of site specific film sculpture. film-loop...

The travelogue footage that appears here – the landscape rushing by, fragments of cityscapes, figures in cafes, forests, and beaches – is...

An encounter with a small man-made waterfall presented in a triptych format.

The first of these is the simple domestic task of washing dishes, and the second is the aesthetic task of filming the first task. I, the filmmaker,...

Self Portrait looks for an approach to a specific relationship between the duration of a work and material conditions in the projection as did...

This film was made by punching circular holes into fully opaque film stock and laying discs of colour film into some of the punched holes. Only the...

A simple event becomes rhythmically complex through changes of speed and multiple superimposition. The title refers to the inevitable inclusion of...

‘Critical Moment One’ was an un-planned recording of a one-year old boy exploring shells and sand on a beach. Though the boy was my own...

A person walks backwards and forwards across two white screens casting a shadow, later his actual shadow is joined by pre-filmed shadows performing...

As the title indicates this is a deliberately academic work, conceived in much the same way that a composer might make a 'study'. It is not about a...

Dark Trees starts with a view from a window in silhouette through which one sees a garden, tall trees, rooftops and the sea. This scene orientates...

A single performance made at the National Film Theatre against a blank screen – the performer twice leaves the stage on one side, exits the...

Found film sequences brought together in the paranoia of the cold war and Vietnam.

Rocky, granite outcrops, a derelict quarry-worker and Dartmoor prison.

Directed by Malcolm Le Grice. "It nears the end of the political paranoid works using found military documentary images. It explores a complex form...

A brilliantly constructed, melancholic ode to the passing of time by Malcolm Le Grice.

Double projection. No images, only colour, first changing slowly in spectrum order, yellow, or red, purple, blue, green, yellow.. and in other...

A one-off performance, never repeated but led to Horror Film 1.

Illuminated by two blank screens projected from empty slides, four performers read texts drawn from the history of cinema – a dictionary of...