Saul Levine Movies

Kerry Laitela delivers an elegiac account of the passions and struggles of a female chameleon.

A film made by Pelle Lowe and myself, Ready-Made is a single work in itself, and also exists as part of a series of works that Pelle and I made...

"NOTES is a series I started in 1968. NOTE TO ERIK was the second one completed but the footage goes back to 1966 when I saw the footage I loved it...

A film by Saul Levine

Levine's grammar is set up to join media images without hiding the seams; media images of race and sex, love and violence, work and play, and...

On 9/11/2005, Mark Lapore took his own life. I first met Mark at SUNY Binghamton in the fall of 1973, when I took my film production class. Over the...

Conceived, performed and edited by Saul Levine. Camera by Pelle Lowe. The title says it all. "A film in the old style." -- Bill Brand

Workers and customers at a coffee bar in a winter twilight. S8mm, b&w/si

NOTE TO POLI is, in the words of his student and fellow experimental filmmaker Marjorie Keller, "a note to the filmmaker Poli Marichal 'about'...

Directed by Saul Levine.

A stark portrait of my father at daily morning prayers to which I respond, AMEN. Light Licks are a series of films I began in 1999. The films are...

At twilight in Binghamton, two filmmakers exchange portraits.

S8mm, b&w/si, (18 fps)

A film made by Marjorie Keller that document a successful struggle against welfare cuts by welfare clients, workers, and their allies.

Concerned with the relation of a word to what we hear or see in our mind when we see it. How this relates to film and color.

Wild flowers, morning glories, an urban jungle an eden for a petite Tyger.

A midsummer daydream. S8mm, color/si, (18fps)

Film Notebook Part 1 from 1975 is a beautiful collection of daily fragments which Keller shot from her life the way one would write in a journal. She...

This film was shot the same weekend as Z (Zee Not Zed), when Stan Brakhage was visiting University of Rhode Island, where Marjorie Keller was...